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Project team: Sam Powers, Octavia Schreder.
Parsons M.Arch. Studio 2. 2015.
The Start-up Hive is a hybrid live/work incubation platform for start-up tech companies taking root in the rapidly expanding Brooklyn Tech Triangle.
Rhino 3D, V-ray, Photoshop.
This series of diagrams shows the paths of circulation frequented by both residents and guests throughout the course of a typical day.
Parsons M.arch. Design Studio 1. 2015.
Instructor: Bryan Young.
This structure's mission is to activate one of the most universal forms of play. A game played across a range of environments, by a multitude of species...that even occasionally unites them.
CHASE
Rendering and digital collage. 2014.
Rhino 3D, V-ray, Photoshop
The continuum is divided into sections radially from its center. The gaps between coils expand the father they are from the core, creating entries at the lobes as well as a fair compromise between a child'd privacy and a parents watchful eye.
Rendering and digital collage. 2014.
Rhino 3D, V-ray, Photoshop
This play structure was designed for a Manhattan playground adjacent to a school and busy portion of 2nd Ave.
The continuous form comes with a series of switch-backs, escape-points and re-entries, teasing the children's instinct to chase one another, while simultaneously containing their play away from traffic and atracting children away from the edges of the park.
Rhino, V-Ray, Photoshop, Illustrator. 2014
Project Team: Thom Long, Ben Yellin, Zachary Clemente, Sam Powers, Peter Modest, Ramzi Nakleh, Sophat Sam
Installation. Hampshire College. 2011.
"This project intends to produce a widely deployable, continuously adaptive and evolving memorial/monument capable of establishing a dialogue between historic facts/events and the indeterminable changes in the places, events and perceptions of the global community. It will attempt to simultaneously chart global historic memory and momentary events, crafting a cohesive visual image of This Moment. It is intended that the source data, the production language and the evolving artwork paint a picture/space of the present that transcends the boundaries of physical space and place. It is intended that one loses a sense of “place” or national identity, instead becomes a participatory witness of a global space."
"This project attempts to creatively present (visualize) data as a “siteless” interface between place, memory (historic and momentary) and future incidents to recognize collective loss and create global witnesses through an evolving monument to This Moment."